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Instead, a large driver is more likely a matter of shifting demographics, with players who grew up playing games gathered around the TV wanting to replicate that experience with their own families.
You’re now more likely to be considered uncool for not playing D&D, a far cry from the nerdy kids in Stranger Things.Īlthough the Covid crisis has understandably seen an even greater surge in local gaming as families and housemates are forced to find new ways to stay entertained, lockdowns alone don’t account for a years-long upward trend in both video games and tabletop. In 2019, the classic RPG saw a 300 per cent rise, year-on-year, in its starter sets – its sixth consecutive year of growth.
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Notably, Dungeons & Dragons has seen a huge surge, spurred on by its spotlight in Netflix’s horror-cum-80s-nostalgiafest Stranger Things, and the hit online web series Critical Role, both of which highlight the social aspect of the game. Pen-and-paper role playing games have also enjoyed an increase in popularity that would have seemed unlikely just a few years ago. Board games in particular are cool again – some might argue for the first time – and board game cafes are now common sights in most cities.
The tabletop gaming industry has been growing for years, with the UK sector’s value rising by more than £100m between 20. It’s not just video games that have benefitted from a return to more social, in-person play. All of this is natural when local online becomes much more ridged and stale.” “There’s also the party atmosphere where people are hot swapping controllers and taking turns while eating and drinking. “Physical contact like high fives, pushing the other person, or even grabbing their controller are some of the best gaming moments I’ve had,” says Ashley Ringrose, CEO of SMG Studio, the Australian developer of Moving Out, a 2020 game where players co-operate to load up a moving van while battling exaggerated physics. Overcooked’s success did, however, seem to help players rediscover how much fun playing in the same room can be. Overcooked wasn’t the first game to spot a demand for more local multiplayer experiences – earlier indies such as TowerFall accurately predicted a then-nascent trend, while industry titans such as Nintendo’s Mario Kart and Super Smash Bros, or fighting games including Tekken and Street Fighter never abandoned local play.
“We weren’t being defiant, we weren’t saying ‘we know better, this game is going to succeed without online play’ – we could understand where publishers were coming from, we just hoped they were wrong! We made the kind of game we wanted to play and were lucky enough to find an audience who felt the same.” “It was seen as risky by most publishers we took the game to,” Duncan continues.
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